Magazine

In celebration of the recently published catalogue of Robert Lehman's collection of European sculpture and metalwork, this exhibition presents a selection of Italian bronze sculpture of the sixteenth and early seventeenth centuries, displayed as a group for the first time. Featuring bronze casts after models created by masters such as Severo da Ravenna and Desiderio da Firenze, this selection includes independent figural statuettes as well as functional objects created in key centers of Italian bronze production, in particular Padua and Venice.

During the sixteenth and early seventeenth centuries, bronze statuettes were generally displayed in private studies, where they were accompanied by functional aids to scholarship such as inkwells, writing boxes, and candleholders. The scholars who inhabited these studies often had a profound interest in classical antiquity. Thus, it is unsurprising that classicizing motifs and figures from Greco-Roman mythology abound in these small works in bronze.

Discover how cultures around the world rely on plants for everything--from food and medicine to cosmetics--through a stunning re-creation of Europe's first botanical garden in Padua and surprising displays of healing plants featuring research by several NYBG experts. Explore a fascinating presentation of rare books and manuscripts known as herbals, as well as engaging science adventures for kids, and much more.

Healing Plants Around the World features the research of some of the Garden's leading experts in science, medicine, and ethnobotany. Explore plants such as the cinchona tree, the source of quinine, which treats malaria, and white willow, whose bark leads to the production of aspirin. More than 400 species or cultivars of medicinal plants are showcased, most of them grown in the Garden's glasshouses, making this one of the largest exhibitions of medicinal plants ever mounted.

The Italian Renaissance Garden is inspired by Europe's first botanical garden, created in 1545 at the University of Padua, in the Venetian Republic. A lush landscape of Mediterranean flowers, including exotic varieties, endangered species, and medicinal plants, are classically composed to evoke the original design that remains at Padua to this day.

Adult All-Garden Pass tickets start at $20.

The Sau-Wing Lam collection of violin-family instruments is one of the most important collections of bowed Italian stringed instruments ever assembled by a private individual. An amateur violinist and violist, Lam bought his first important violin in the 1960s and assembled his impressive collection of violins and bows over the next twenty-five years. His holdings eventually included such significant instruments as the "Baltic" violin by Giuseppe Guarneri "del Gesù," the "Bavarian" and "Scotland University" violins by Antonio Stradivari, the "ex Collin" violin by Nicolò Amati, an extremely early viola by Andrea Amati, and Lam's favorite violin, an instrument by Giuseppe Guarneri, one of his earliest acquisitions

The exhibition presents a collection of furniture and a series of letters, family photographs, and videos that exemplify the modernity of Gio Ponti, a key figure of 20th century design. Architect and designer, founder of �Domus�" and �Stile�" magazines and of the Compasso d�'Oro award, writer and lecturer at the Milan Politecnico, G. ponti was honored with the Médaille d�'Or by the French Academy of Architecture. The exhibition is enriched with a section devoted to Ponti�'s projects in the United States: Alitalia offices (New York, 1958), Time Life Building Auditorium (New York, 1959), Denver Art Museum, (Denver, 1971), MUSA, travelling exhibition of Italian furniture in the U.S.A. (1950-53), furniture for M. Singer&sons (1950s), furniture and walls organized for Altamira (1953). The opening of the exhibition will feature an encounter with the Director of ICI, Riccardo Viale, with the curators of the exhibition, Francesca Molteni and Franco Raggi, deputy-president of the Milan Ordine degli Architetti, with Massimo Vignelli, designer and founder of Vignelli Associates, and with Marianne Lamonaca, curator and deputy director of the Bard Graduate Center. On display a collection of furnishings designed by Gio Ponti between 1935 (chair for the first Montecatini Building) and the 1950s (bookcase, bureau, small table, picture frames and rug for Casa Ponti in via Dezza in Milan, 1956-57).

An exhibition of works by Italian artist Gianni Dessì. Dessì, born in Rome in 1955, is part of the so-called 'New Roman School' which is an expression of Transavanguardia. His painting investigates the relationships between light, form and matter. Curated by Isabella Del Frate Rayburn.

The Sau-Wing Lam collection of violin-family instruments is one of the most important collections of bowed Italian stringed instruments ever assembled by a private individual. An amateur violinist and violist, Lam bought his first important violin in the 1960s and assembled his impressive collection of violins and bows over the next twenty-five years. His holdings eventually included such significant instruments as the "Baltic" violin by Giuseppe Guarneri "del Gesù," the "Bavarian" and "Scotland University" violins by Antonio Stradivari, the "ex Collin" violin by Nicolò Amati, an extremely early viola by Andrea Amati, and Lam's favorite violin, an instrument by Giuseppe Guarneri, one of his earliest acquisitions

Biagio Antonacci (born 9 November 1963) is an Italian singer-songwriter from Milan. In 1993 he participated in the Sanremo Music Festival with the song Non so più a chi credere; in the same year he toured around all of Italy and gained public acknowledgement. On 1 September 2005 in Hollywood, Biagio Antonacci received the award for "Best Male Selling Italian Artist" for over a million copies of the album Convivendo sold by early November.

The exhibition presents a collection of furniture and a series of letters, family photographs, and videos that exemplify the modernity of Gio Ponti, a key figure of 20th century design. Architect and designer, founder of �Domus�" and �Stile�" magazines and of the Compasso d�'Oro award, writer and lecturer at the Milan Politecnico, G. ponti was honored with the Médaille d�'Or by the French Academy of Architecture. The exhibition is enriched with a section devoted to Ponti�'s projects in the United States: Alitalia offices (New York, 1958), Time Life Building Auditorium (New York, 1959), Denver Art Museum, (Denver, 1971), MUSA, travelling exhibition of Italian furniture in the U.S.A. (1950-53), furniture for M. Singer&sons (1950s), furniture and walls organized for Altamira (1953). The opening of the exhibition will feature an encounter with the Director of ICI, Riccardo Viale, with the curators of the exhibition, Francesca Molteni and Franco Raggi, deputy-president of the Milan Ordine degli Architetti, with Massimo Vignelli, designer and founder of Vignelli Associates, and with Marianne Lamonaca, curator and deputy director of the Bard Graduate Center. On display a collection of furnishings designed by Gio Ponti between 1935 (chair for the first Montecatini Building) and the 1950s (bookcase, bureau, small table, picture frames and rug for Casa Ponti in via Dezza in Milan, 1956-57).

In celebration of the recently published catalogue of Robert Lehman's collection of European sculpture and metalwork, this exhibition presents a selection of Italian bronze sculpture of the sixteenth and early seventeenth centuries, displayed as a group for the first time. Featuring bronze casts after models created by masters such as Severo da Ravenna and Desiderio da Firenze, this selection includes independent figural statuettes as well as functional objects created in key centers of Italian bronze production, in particular Padua and Venice.

During the sixteenth and early seventeenth centuries, bronze statuettes were generally displayed in private studies, where they were accompanied by functional aids to scholarship such as inkwells, writing boxes, and candleholders. The scholars who inhabited these studies often had a profound interest in classical antiquity. Thus, it is unsurprising that classicizing motifs and figures from Greco-Roman mythology abound in these small works in bronze.

An exhibition of works by Italian artist Gianni Dessì. Dessì, born in Rome in 1955, is part of the so-called 'New Roman School' which is an expression of Transavanguardia. His painting investigates the relationships between light, form and matter. Curated by Isabella Del Frate Rayburn.

Discover how cultures around the world rely on plants for everything--from food and medicine to cosmetics--through a stunning re-creation of Europe's first botanical garden in Padua and surprising displays of healing plants featuring research by several NYBG experts. Explore a fascinating presentation of rare books and manuscripts known as herbals, as well as engaging science adventures for kids, and much more.

Healing Plants Around the World features the research of some of the Garden's leading experts in science, medicine, and ethnobotany. Explore plants such as the cinchona tree, the source of quinine, which treats malaria, and white willow, whose bark leads to the production of aspirin. More than 400 species or cultivars of medicinal plants are showcased, most of them grown in the Garden's glasshouses, making this one of the largest exhibitions of medicinal plants ever mounted.

The Italian Renaissance Garden is inspired by Europe's first botanical garden, created in 1545 at the University of Padua, in the Venetian Republic. A lush landscape of Mediterranean flowers, including exotic varieties, endangered species, and medicinal plants, are classically composed to evoke the original design that remains at Padua to this day.

Adult All-Garden Pass tickets start at $20.

The Sau-Wing Lam collection of violin-family instruments is one of the most important collections of bowed Italian stringed instruments ever assembled by a private individual. An amateur violinist and violist, Lam bought his first important violin in the 1960s and assembled his impressive collection of violins and bows over the next twenty-five years. His holdings eventually included such significant instruments as the "Baltic" violin by Giuseppe Guarneri "del Gesù," the "Bavarian" and "Scotland University" violins by Antonio Stradivari, the "ex Collin" violin by Nicolò Amati, an extremely early viola by Andrea Amati, and Lam's favorite violin, an instrument by Giuseppe Guarneri, one of his earliest acquisitions

Veronica Santi, curator for Spazio 522 Gallery, is proud to present Snowing Styrofoam, an exhibition featuring Italian artists Nick Petruccelli and Verdiana Patacchini, both in their debut in the New York art scene. Reading the landscape of cities and embroidering new textures of world, Nick Petruccelli makes its paintings glueing industrial scraps and leather mixed with gloss colors, as if the surface of canvas was a vault of the heaven where other patchwork realities are possible. Verdiana Patacchini, indeed, read impossible textures from the styrofoam, clearing abstract forms from the material. Her sculptures seem fallen from the sky as lightweight, sophisticate meteorites. Snowing Styrofoam is the first exhibition of the cycle �Italian Wave�" showing the best of Italian artists New York-based. Celebrating 2013 � Year of Italian culture in United States, from May to December �Italian Wave�" will take place at Spazio 552 Gallery of Antonio Soddu.

By appointment: 212 929 1981 or veronica_santi@hotmail.com

The exhibition presents a collection of furniture and a series of letters, family photographs, and videos that exemplify the modernity of Gio Ponti, a key figure of 20th century design. Architect and designer, founder of �Domus�" and �Stile�" magazines and of the Compasso d�'Oro award, writer and lecturer at the Milan Politecnico, G. ponti was honored with the Médaille d�'Or by the French Academy of Architecture. The exhibition is enriched with a section devoted to Ponti�'s projects in the United States: Alitalia offices (New York, 1958), Time Life Building Auditorium (New York, 1959), Denver Art Museum, (Denver, 1971), MUSA, travelling exhibition of Italian furniture in the U.S.A. (1950-53), furniture for M. Singer&sons (1950s), furniture and walls organized for Altamira (1953). The opening of the exhibition will feature an encounter with the Director of ICI, Riccardo Viale, with the curators of the exhibition, Francesca Molteni and Franco Raggi, deputy-president of the Milan Ordine degli Architetti, with Massimo Vignelli, designer and founder of Vignelli Associates, and with Marianne Lamonaca, curator and deputy director of the Bard Graduate Center. On display a collection of furnishings designed by Gio Ponti between 1935 (chair for the first Montecatini Building) and the 1950s (bookcase, bureau, small table, picture frames and rug for Casa Ponti in via Dezza in Milan, 1956-57).

In celebration of the recently published catalogue of Robert Lehman's collection of European sculpture and metalwork, this exhibition presents a selection of Italian bronze sculpture of the sixteenth and early seventeenth centuries, displayed as a group for the first time. Featuring bronze casts after models created by masters such as Severo da Ravenna and Desiderio da Firenze, this selection includes independent figural statuettes as well as functional objects created in key centers of Italian bronze production, in particular Padua and Venice.

During the sixteenth and early seventeenth centuries, bronze statuettes were generally displayed in private studies, where they were accompanied by functional aids to scholarship such as inkwells, writing boxes, and candleholders. The scholars who inhabited these studies often had a profound interest in classical antiquity. Thus, it is unsurprising that classicizing motifs and figures from Greco-Roman mythology abound in these small works in bronze.

An exhibition of works by Italian artist Gianni Dessì. Dessì, born in Rome in 1955, is part of the so-called 'New Roman School' which is an expression of Transavanguardia. His painting investigates the relationships between light, form and matter. Curated by Isabella Del Frate Rayburn.

Discover how cultures around the world rely on plants for everything--from food and medicine to cosmetics--through a stunning re-creation of Europe's first botanical garden in Padua and surprising displays of healing plants featuring research by several NYBG experts. Explore a fascinating presentation of rare books and manuscripts known as herbals, as well as engaging science adventures for kids, and much more.

Healing Plants Around the World features the research of some of the Garden's leading experts in science, medicine, and ethnobotany. Explore plants such as the cinchona tree, the source of quinine, which treats malaria, and white willow, whose bark leads to the production of aspirin. More than 400 species or cultivars of medicinal plants are showcased, most of them grown in the Garden's glasshouses, making this one of the largest exhibitions of medicinal plants ever mounted.

The Italian Renaissance Garden is inspired by Europe's first botanical garden, created in 1545 at the University of Padua, in the Venetian Republic. A lush landscape of Mediterranean flowers, including exotic varieties, endangered species, and medicinal plants, are classically composed to evoke the original design that remains at Padua to this day.

Adult All-Garden Pass tickets start at $20.

The Sau-Wing Lam collection of violin-family instruments is one of the most important collections of bowed Italian stringed instruments ever assembled by a private individual. An amateur violinist and violist, Lam bought his first important violin in the 1960s and assembled his impressive collection of violins and bows over the next twenty-five years. His holdings eventually included such significant instruments as the "Baltic" violin by Giuseppe Guarneri "del Gesù," the "Bavarian" and "Scotland University" violins by Antonio Stradivari, the "ex Collin" violin by Nicolò Amati, an extremely early viola by Andrea Amati, and Lam's favorite violin, an instrument by Giuseppe Guarneri, one of his earliest acquisitions